You’ve probably heard about the benefits of thinking positively. Of rock-solid self-belief.
But what about the risks?
Can’t being over-confident make things worse? Aren’t you in danger of having a completely unrealistic view of your abilities?
As you read on, you’ll discover when the positive viewpoint is exactly what the doctor ordered. And when stark realism should rule the day.
Do you remember a time when you had it all sorted in the practice room – but everything fell apart at the gig itself?
Maybe this happens a lot. You always get the material solid in practice – but, somehow, that doesn’t seem to be enough on stage.
And just spending more time practicing doesn’t seem to improve things.
Fear not – it might only take a slight tweak in exactly HOW you practice to turn this situation around.
Music requires great skill. There’s no getting round the fact that it takes long hours of practice to hone your craft.
But music also needs confidence and focus.
I’m not going to claim that changing your thinking will magically transform you into one of the all-time greats. If your technique is flawed, then it’s still going to hold you back.
But technique is only half the story if you want to achieve the levels you’re capable of.
How does it feel when you make a mistake in performance?
You look out at that sea of silent faces. They’re judging you, waiting to see what mistake you’ll make next. Maybe they’re slightly disappointed – but they’re not surprised.
It’s easy to feel this way – most musicians do – but that’s really not how it works at all…
It’s every musician’s worst nightmare. Something has gone horribly wrong.
Maybe a string has snapped on your guitar. Maybe there’s a complete train wreck – the tune you’re playing falls apart totally and irreparably. Maybe one of the band members hasn’t shown up.
Or maybe they’ve shown up in such a bad state that they don’t belong anywhere near a stage.
Something beyond your control has messed everything up and there’s nothing you can do to fix it now. So how do you respond?
Stop me if this sounds familiar.
You’ve basically got it covered in the practice room. It’s not that everything’s perfect, but you’re reasonably happy with where you are, and you can see yourself making consistent progress.
When you get up on stage to perform, though, it’s a different story.
Things which sounded inspired just a day or two before come out sounding dull. Material that you had mastered becomes shaky, or even falls apart altogether.
You find yourself just trying to get through the experience rather than playing freely and really enjoying yourself.
And the most frustrating thing is that there doesn’t seem to be any reason why this happens. So what can you do about it?
Well, there are at least 7 things which can contribute to the problem. In this article I’ll tell you what they are and how to tackle them – so that you can play consistently at your best and feel truly proud about your performances.
Here's what we're going to cover:
The performance is about to begin.
In a few minutes, I’ll step onto the stage with nothing between me and the audience. I’ll be put to the test.
All my hard work, all my practice is suddenly in the past now. I can’t go back and revisit any problem areas. There is only this present moment.
Somehow, though, things are different this time.
The journey that I’ve been through – the new perspective that I’ve discovered and accepted has changed me.
Do you find that you start every performance physically relaxed, completely in control and full of confidence? That the notes just come out effortlessly, exactly the way you want them to? That you’re completely focused on the music, without any worries or distractions tugging at your mind?
That’s the goal, but so few of us actually achieve it.
And it turns out that a lot of the secret is not about those first few notes, but the moments immediately BEFORE we start playing.
You’ve worked so hard on how you practice. Got the process streamlined and efficient to maximise your learning.
All your exercises are laser-focused on what you want to improve. You can get into that practice mode effortlessly, spot any imperfections straight away, and immediately calculate what you need to do to fix them.
But did you realise that every step you take that improves your practice could be dragging your performance down?
Have you ever given what you thought was a terrible performance only to come off the stage and have people telling you they thought you played brilliantly? That they really enjoyed it.
It left you confused.
That new material you’d spent ages working on didn’t come out right in your solo. Or maybe you’re thinking of that glaring mistake you made in a part that you should be able to play easily.
How could they not see how bad it was?